http://www.lostcolonymusic.com/events daily 0.75 2013-08-26 http://www.lostcolonymusic.com/updatesnews daily 0.75 2012-12-07 http://www.lostcolonymusic.com/updatesnews/2012/8/17/lorem-inceptos-malesuada monthly 0.5 2012-12-07 https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/521a6b50e4b03aa034dcb3ab/1345229449417/1328199462115.jpeg Updates/News - Lorem Inceptos Malesuada via www.maddisongraphic.com http://www.lostcolonymusic.com/updatesnews/2012/8/17/lorem-malesuada-commodo monthly 0.5 2012-08-17 http://www.lostcolonymusic.com/new-blog daily 0.75 2013-08-31 http://www.lostcolonymusic.com/new-blog/2013/8/31/penetrating-your-eye-holes-soon monthly 0.5 2013-08-31 http://www.lostcolonymusic.com/projects daily 0.75 2013-08-31 http://www.lostcolonymusic.com/prettyandnice daily 0.75 2013-08-31 https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/52220ccbe4b02e8fa5de49dc/5222295fe4b02e8fa5de6f07/1377977040749/uyaw.jpg Pretty & Nice \\\\\\\\\ US YOU ALL WE - Pretty & Nice Pretty & Nice are a Boston quartet bent on creating joyous feelings. Songs are born on sunny porches, zapped with electricity, arranged around dancing morpho-rhythms, and slingshot skyward. It’s an advanced pop crash course, and your brain may have trouble keeping up with your feet. Having shared tours and stages with bands like Built to Spill, The Get Up Kids, Miniature Tigers, The Thermals and Jukebox the Ghost, one can imagine the impact Pretty & Nice delivers up close and personal. Live, the arrangements explode into an array of shifting shapes and colors, pitting Costello against Cocteau in an epic bounce-house duel ending in broken strings and hugs all around. From their debut, Pink & Blue, to the Hardly Art-released Get Young, and throughout their new EP, US YOU ALL WE, the music of Pretty & Nice is engineered for repeat listens. Songs blossom multiple times, tightrope walking between complexity and accessibility with tremendous balance. The Onion’s AV Club says it well: “The band buries post-punk hooks under feverish ranting and the trash-can clang of robotic electro… Riffs are spot-welded to jerky beats, and the whole sound hinges on a gleeful self-deconstruction.” https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/5222429de4b02da2a90a29af/1377976885983/uyaw.jpg Pretty & Nice \\\\\\\\\ US YOU ALL WE - Pretty & Nice 1. Hibernate 2. Hyena 3. Capsules 4. Dan's Heart 5. Get Better* 6. Iris* 7. Dan's Heart (The Mathematics Rmx) * 8. Capsules (Algernonmix Rmx) * 9. Get Better (Kuxxan Suum Rmx) * *Deluxe Edition only  Download US YOU ALL WE on iTunes Download US YOU ALL WE (Deluxe Edition) on iTunes   http://www.lostcolonymusic.com/sophieauster daily 0.75 2013-08-31 https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/52222ad2e4b0fece1976ce6e/1377970898109/red_weather_lo_res_cover.jpg Sophie Auster \\\\\\\\ Red Weather https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/52220b05e4b0c808758f9d23/52222acde4b0b90e6916744e/1377971522320/red_weather_lo_res_cover.jpg Sophie Auster \\\\\\\\ Red Weather - Sophie Auster: Red Weather EP ” I tend to gravitate towards material that can be a little dark,” says Sophie. The unreleased material Auster has been working on for the past two years has been a huge evolution for the gifted and prodigious 25-year-old singer/songwriter. “The material has matured and grown as I have gotten older. It’s a process to hone in on your own style. I think a lot of what I have been doing over the past few years is discovering my voice.” In 2007, she met writer/musician Barry Reynolds, who has worked with major artists such as Rufus Wainwright, Marianne Faithful, Antony and the Johnsons, Chorlotte Gainsbourg, and Grace Jones. The two formed a fast and lasting bond that translated into a freeing writing experience for Sophie. Reynolds and Auster have been writing together ever since. “I force myself to write everyday, but the best songs are the ones that pour out of you—the ones that are urgent.” In 2012 Sophie completed work on her new record, Red Weather, released in November 2012. The daring and soulful sound of this forthcoming effort highlights Sophie’s visceral vocals and heart-wrenching lyrics. Her upcoming album will be released in early 2014. http://www.lostcolonymusic.com/dreamtiger daily 0.75 2013-09-02 https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/52220cfbe4b05a87e453343f/1377963259904/dreamtigerweb.jpg dream tiger \\\\\\\\\\ A Lover's Regret + Soft Skin https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/52220caee4b0c808758f9f54/52220cf9e4b0b90e69164ce3/1377972462440/dreamtigerweb.jpg dream tiger \\\\\\\\\\ A Lover's Regret + Soft Skin - dream tiger Emerging from the fog back-lit by bass heavy drums and intricately woven synths, dream tiger takes the stage. Though small in stature, Liz Wolf's channeled emotion fills the room with vocals powerful enough to stop anyone in their tracks; and with good reason. Debuting her solo project and self-titled album, while moonlighting as keyboardist for WHY?, wolf is making the dream tiger concept a reality and leaving a lasting impression on audiences across the US. dream tiger harkens back to the sounds of Portishead's production, Mazzy Star's tempos and Kate Bush's vocal sensibility but with fresh efforts in the realm of dark wave. With nearly nine lives worth of experience gained from living and touring coast-to-coast over the past six years, wolf has recently settled in Cincinnati, Ohio where she recorded and mixed the record which includes guest appearances by husband Josiah Wolf and fellow WHY? bandmate Doug McDiarmid. http://www.lostcolonymusic.com/label daily 1.0 2017-02-01 https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/562a215ae4b052a65b35db28/1445601630437/tothevalleycover Label PALMAS On first listen, Philadelphia based indie rockers PALMAS take you back through time, straight to the stage of a 1950s tiki dive bar. It’s a place where locals and outsiders find themselves dancing close under glittering lights, surrounded by a fog of slow-swirling cigarette smoke. Here, women in thick cat eyeliner melt into mysteriously dark silhouettes. When beats stop and eyes open, the band (Eric Camarota - Bass, Matthew Young - Guitar, Adam Cantiello - Guitar, Kurt Cain - Vocals/Organs, and Pat Degan - Drums) are no longer performing for a sea of one-night lovers somewhere in the past. Instead, they're here, on a beach with good friends and guitars, drinking cheap Mexican beer around a bonfire. Palmas' music has already captivated fans and critics alike. They’ve been playing sold-out shows for over a year and have been featured in publications such as NYLON, Noisey, and Daily Music Insider, all before officially releasing any music. Rehearsing in an off-season haunted house allows their surf-tinged tracks to come injected with an aura of fake blood, skulls, and zombies. PALMAS ride an eerily addicting line between sunny days and unnervingly dark nights. On tracks like “Stay Away,” the band evokes proof of their 1950s influence with reverberated guitar leads reminiscent of Nancy Sinatra or the opening of an original James Bond film. Their single “Ride the Wave," however, brings you back to a sun-soaked beach party of the present where you can hear distant echoes of Temples, Best Coast, and The Growlers. Perhaps the key to PALMAS’ balance of colorful surf-y leads and heart-wrenching nostalgia lies at the foot of their merch table. You’ll find it littered with old postcards bordered by twinkling lights. If you stare at one of those slowly fading, bent and twisted, “Hello from Florida” novelties long enough, you might get to follow PALMAS on their trip from a seemingly normal beach day to a smoke drenched dance floor that’s lost in time. In addition to premiering their music video for "Stay Away" via Noisey/Vice, PALMAS has recently announced their freshly signed deal with NYC label Lost Colony Music to release an A/B side “Stay Away”/“You Were My Girl” with an EP to follow in November. https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/52eeb924e4b025a6248874e8/1391376679880/CauseCe%CC%81le%CC%80breArt.jpg Label Fan Modine When Magnet hails your first release as the work of “an elliptical and underrated genius,” the bar is set high. However, with each release following Slow Road To Tiny Empire (Rykodisc), Gordon Zacharias, along with an ever-changing cast of East Coast heavyweights he refers to as “Fan Modine,” has delivered on that initial promise. 2004’s Homeland melds classic pop with an outsider artist’s sensibility. Following the bursting of the dot-com bubble, Homeland was written while Zacharias was living in a record store in Downtown Manhattan on a cot above the vinyl aisle and working as a professional dog walker for a host of Page 6 notables. The album went on to score high marks in the press, including an 8.0 in Pitchfork. After relocating to Carrboro, NC, Zacharias formed a solid lineup to promote the album’s release with Ash Bowie of Polvo, Jeremy Chatelain of Jets to Brazil, Lee Waters from Dean & Britta, and Chuck Johnson from Shark Quest. This same lineup laid the groundwork for 2011’s Gratitude For The Shipper; an ambitious collection that retains the magic of the previous releases, with its lush orchestration and rich production courtesy of years of sporadic basement overdubs. Zacharias completed the record with help from indie pioneers Chris Stamey and Mitch Easter. The extravagance all nods to chamber pop heroes Procol Harum, The Left Banke and XTC, yet breaks new ground. Gratitude feels like a song cycle, but without pretension; a concept record that allows you to choose your own adventure. The album was toured heavily with featured slots at NYC Popfest and the Chickfactor festival. Considering previous Fan Modine releases have come along once every six years, the fact that a new album will be hitting the streets in under three implies that Zacharias may be in the midst of his most fertile creative period to date. With a new band consisting of Alex Maiolo (libraness), Tony Stiglitz (lakes&woods), and James DeDakis (Wages), the record was recorded with Mitch Easter at Fidelitorium, and mixed by celebrated Boston recordist and Tape-Op contributor Pete Weiss at his Verdant studio in Vermont. Featuring vocal and guitar contributions by Joah Tunnel (Lost in the Trees) and Stevie Jackson (Belle and Sebastian), Cause Célèbre crashes down the gate of social divides and existential yearning -- with a nod to glam and psychedelia. Due in April 2014 on Lost Colony Music, Cause Célèbre sets a new standard for Fan Modine, both thematically and in its concise execution. https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/562a2635e4b0b0d8bdc0ed5d/1445602880663/palmas.jpg Label PALMAS On first listen, Philadelphia based indie rockers PALMAS take you back through time, straight to the stage of a 1950s tiki dive bar. It’s a place where locals and outsiders find themselves dancing close under glittering lights, surrounded by a fog of slow-swirling cigarette smoke. Here, women in thick cat eyeliner melt into mysteriously dark silhouettes. When beats stop and eyes open, the band (Eric Camarota - Bass, Matthew Young - Guitar, Adam Cantiello - Guitar, Kurt Cain - Vocals/Organs, and Pat Degan - Drums) are no longer performing for a sea of one-night lovers somewhere in the past. Instead, they're here, on a beach with good friends and guitars, drinking cheap Mexican beer around a bonfire. Palmas' music has already captivated fans and critics alike. They’ve been playing sold-out shows for over a year and have been featured in publications such as NYLON, Noisey, and Daily Music Insider, all before officially releasing any music. Rehearsing in an off-season haunted house allows their surf-tinged tracks to come injected with an aura of fake blood, skulls, and zombies. PALMAS ride an eerily addicting line between sunny days and unnervingly dark nights. On tracks like “Stay Away,” the band evokes proof of their 1950s influence with reverberated guitar leads reminiscent of Nancy Sinatra or the opening of an original James Bond film. Their single “Ride the Wave," however, brings you back to a sun-soaked beach party of the present where you can hear distant echoes of Temples, Best Coast, and The Growlers. Perhaps the key to PALMAS’ balance of colorful surf-y leads and heart-wrenching nostalgia lies at the foot of their merch table. You’ll find it littered with old postcards bordered by twinkling lights. If you stare at one of those slowly fading, bent and twisted, “Hello from Florida” novelties long enough, you might get to follow PALMAS on their trip from a seemingly normal beach day to a smoke drenched dance floor that’s lost in time. In addition to premiering their music video for "Stay Away" via Noisey/Vice, PALMAS has recently announced their freshly signed deal with NYC label Lost Colony Music to release an A/B side “Stay Away”/“You Were My Girl” with an EP to follow in November. https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/52eeb34be4b08d6717e46a76/1391375182383/CauseCe%CC%81le%CC%80breArt.jpg Label Fan Modine When Magnet hails your first release as the work of “an elliptical and underrated genius,” the bar is set high. However, with each release following Slow Road To Tiny Empire (Rykodisc), Gordon Zacharias, along with an ever-changing cast of East Coast heavyweights he refers to as “Fan Modine,” has delivered on that initial promise. 2004’s Homeland melds classic pop with an outsider artist’s sensibility. Following the bursting of the dot-com bubble, Homeland was written while Zacharias was living in a record store in Downtown Manhattan on a cot above the vinyl aisle and working as a professional dog walker for a host of Page 6 notables. The album went on to score high marks in the press, including an 8.0 in Pitchfork. After relocating to Carrboro, NC, Zacharias formed a solid lineup to promote the album’s release with Ash Bowie of Polvo, Jeremy Chatelain of Jets to Brazil, Lee Waters from Dean & Britta, and Chuck Johnson from Shark Quest. This same lineup laid the groundwork for 2011’s Gratitude For The Shipper; an ambitious collection that retains the magic of the previous releases, with its lush orchestration and rich production courtesy of years of sporadic basement overdubs. Zacharias completed the record with help from indie pioneers Chris Stamey and Mitch Easter. The extravagance all nods to chamber pop heroes Procol Harum, The Left Banke and XTC, yet breaks new ground. Gratitude feels like a song cycle, but without pretension; a concept record that allows you to choose your own adventure. The album was toured heavily with featured slots at NYC Popfest and the Chickfactor festival. Considering previous Fan Modine releases have come along once every six years, the fact that a new album will be hitting the streets in under three implies that Zacharias may be in the midst of his most fertile creative period to date. With a new band consisting of Alex Maiolo (libraness), Tony Stiglitz (lakes&woods), and James DeDakis (Wages), the record was recorded with Mitch Easter at Fidelitorium, and mixed by celebrated Boston recordist and Tape-Op contributor Pete Weiss at his Verdant studio in Vermont. Featuring vocal and guitar contributions by Joah Tunnel (Lost in the Trees) and Stevie Jackson (Belle and Sebastian), Cause Célèbre crashes down the gate of social divides and existential yearning -- with a nod to glam and psychedelia. Due in April 2014 on Lost Colony Music, Cause Célèbre sets a new standard for Fan Modine, both thematically and in its concise execution. https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/58926951e58c62aef43213d6/1485990245298/rsmjfmakeitbe.jpg Label dream tiger Emerging from the fog back-lit by bass heavy drums and intricately woven synths, dream tiger takes the stage. Though small in stature, Liz Wolf's channeled emotion fills the room with vocals powerful enough to stop anyone in their tracks; and with good reason. Debuting her solo project and self-titled album, while moonlighting as keyboardist for WHY?, wolf is making the dream tiger concept a reality and leaving a lasting impression on audiences across the US.   dream tiger harkens back to the sounds of Portishead's production, Mazzy Star's tempos and Kate Bush's vocal sensibility but with fresh efforts in the realm of dark wave. With nearly nine lives worth of experience gained from living and touring coast-to-coast over the past six years, wolf has recently settled in Cincinnati, Ohio where she recorded and mixed the record which includes guest appearances by husband Josiah Wolf and fellow WHY? bandmate Doug McDiarmid. https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/5223e145e4b0bf0a6aa8f9c8/1378083143476/dreamtigerweb.jpg Label dream tiger Emerging from the fog back-lit by bass heavy drums and intricately woven synths, dream tiger takes the stage. Though small in stature, Liz Wolf's channeled emotion fills the room with vocals powerful enough to stop anyone in their tracks; and with good reason. Debuting her solo project and self-titled album, while moonlighting as keyboardist for WHY?, wolf is making the dream tiger concept a reality and leaving a lasting impression on audiences across the US.   dream tiger harkens back to the sounds of Portishead's production, Mazzy Star's tempos and Kate Bush's vocal sensibility but with fresh efforts in the realm of dark wave. With nearly nine lives worth of experience gained from living and touring coast-to-coast over the past six years, wolf has recently settled in Cincinnati, Ohio where she recorded and mixed the record which includes guest appearances by husband Josiah Wolf and fellow WHY? bandmate Doug McDiarmid. https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/5223f204e4b041e1c9e09991/1378087430194/uyaw.jpg Label Pretty & Nice Pretty & Nice are a Boston quartet bent on creating joyous feelings. Songs are born on sunny porches, zapped with electricity, arranged around dancing morpho-rhythms, and slingshot skyward. It’s an advanced pop crash course, and your brain may have trouble keeping up with your feet.   Having shared tours and stages with bands like Built to Spill, The Get Up Kids, Miniature Tigers, The Thermals and Jukebox the Ghost, one can imagine the impact Pretty & Nice delivers up close and personal. Live, the arrangements explode into an array of shifting shapes and colors, pitting Costello against Cocteau in an epic bounce-house duel ending in broken strings and hugs all around.   From their debut, Pink & Blue, to the Hardly Art-released Get Young, and throughout their new EP, US YOU ALL WE, the music of Pretty & Nice is engineered for repeat listens. Songs blossom multiple times, tightrope walking between complexity and accessibility with tremendous balance. The Onion’s AV Club says it well: “The band buries post-punk hooks under feverish ranting and the trash-can clang of robotic electro… Riffs are spot-welded to jerky beats, and the whole sound hinges on a gleeful self-deconstruction.” https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/5223f588e4b0750ab1440dbd/1378088330503/uyaw.jpg Label https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/5223e78fe4b062b4a5cf5cc1/1378084753397/dreamtigerweb.jpg Label https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/52eeb60ae4b0e172529a0d8c/1391375887194/FanModine-CauseCelebre-AlbumArt2500WEB.jpg Label https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/52eebbdfe4b01be1be5ece1b/1391377379816/Gratitude+1500+RGB.jpg Label https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/58926b7c6b8f5ba128b3b70a/1485990802376/RSM_JF+-+Make+It+Be.jpg Label https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/54ebe7c8e4b0b080e165e147/1424746442138/10501648_10154501708025601_9077162308698698305_n.jpg Label https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/55e72779e4b03fb450e391da/1441212282662/palmas-stay-away-single.jpg Label https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/562a22f1e4b0d8b406b776dc/1445602036157/ToTheValleyCOVER_1D+2500.jpeg Label http://www.lostcolonymusic.com/about daily 0.75 2013-08-31 https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/52223ba2e4b02da2a90a1fad/1377975203802/FBcoverLCM.png About http://www.lostcolonymusic.com/contributors daily 0.75 2013-08-26 http://www.lostcolonymusic.com/contact daily 0.75 2013-08-31 https://static1.squarespace.com/static/521a6b50e4b03aa034dcb398/t/522239c8e4b08fc4fa151d6e/1377974730058/LOGO+2.png Contact http://www.lostcolonymusic.com/shop daily 0.75 2014-10-12